From Promethean Pride to the Holocaustic Imagination: Atlas Shrugged

The Orthosphere

Rand Soviet Style Ayn Rand (1905 – 1982)

The victory over desire is extremely painful.  Proust tells us that we must forego the fervent dialogue endlessly carried on by each of us at the superficial levels of our being.  One must “give up one’s dearest illusions.”  The novelist’s art is a phenomenological epochē.  But the only authentic epochē is never mentioned by modern philosophers; it is always victory over desire, victory over Promethean pride.  (René Girard, Deceit, Desire, and the Novel)
The descent of the absolute into the empirical world is the moment of its undoing.  As soon as we posit an absolute difference between victim and persecutor, the underlying symmetry of their relation reasserts itself.  When the SS torturer becomes the villain of the war film, he is turned into a sacrificial figure, a scapegoat, [a] structural equivalent of the Jud Süss in Nazi cinema.  (Eric Gans, Signs of Paradox

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Author: Alfred E. Neuman

73 year old geek, ultra-conservative patriot.

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